Written by Lynn Rosen; Directed by Julie Kramer
The Tank | 312 W 36th St., New York, NY 10018
October 29 - November 22, 2026
Photo Credit: Harry Zernike
Magic and mayhem grace the tiny stage at The Tank in Lynn Rosen's Legerdemain.
The story begins simply enough. Chuck, played by Annie Henk, (Pinkolandia and Lucy Loves Me To the Bone at the Cherry Lane) calls out to Devin, played by Danielle Skraastad (The Lucky Ones at TheaterLab). The mood in the air around Halloween is tense, and the chain restaurant, Butterloafs, feels at odds. Ghouls surround, and there has even been a report of a strangler, aiming to destroy the serenity of a simple dinner out. While hilarity does not ensue, there is camaraderie, the opportunity for revelation, and genuine bonding among strangers.
Director Julie Kramer has energized the production, inventing boutique movement to rock a NYC audience. Broad shouldered women play both Chuck and Devin. Standard chain restaurant uniforms reveal a clearly raised working class culture. Chuck and Devin keep shouting, hoping to be offered a moment of grace. Meanwhile, phenomenal occurrences burst through center stage. It's alarming and provocative.
John Alejandro Jeffords (A Gentlemen's Guide to Love and Murder at the Santa Fe Playhouse) is a memorable Don, skilled off the chart in basic magic and even a bit of commedia dell'arte. His exuberance for the world is matched with his interest in connecting with humanity. He creates abracadabra moments, filled with capes, flowers that lilt or grow, and flickers of light.
Don is persuasive beyond all measure when he says, "You should be careful of strangers, young lady. Ever hear of the term "mail shooting?" Or "going postal"? Though that's not exactly fair to the postal community." It's that sense of danger, just on the edge, that keeps propelling the action contained near a peace sign and a dumpster. Disappearing acts aside, we easily understand that the New England characters onstage believe in magic, they appreciate the kind words of a friend or stranger, and they would like the streets around Butterloafs to honor Halloween instead of a horror festival around the corner.
Gary Weinstein's cleverly coached sleight of hand and Steve Cuffo's magic consultation provide the minute-to-minute wonder, making a circuitous drama entertaining in each moment. Pete Betcher's Scenic Design relies on sight gags and bits of construction that appear and disappear. The flashing light show, on time and above par, is provided by Lighting Designer Yang Yu.
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Review by Marcina Zaccaria.
Published by Theatre Beyond Broadway on November 3, 2026. All rights reserved.