In this blisteringly funny and profoundly affecting solo performance, comedian and storyteller Bill Posley invites us not merely to witness his life’s extraordinary detour into war, but to walk beside him, combat boots on the ground, through terrain where absurdity and anguish march hand in hand. The Day I Accidentally Went to War is a truth bomb.

This was a once-in-a-blue-moon circumstance. The Rockaway Theatre Company debuted a brand new play, by a playwright from Utah. The Value's dialogue is intriguing, keeps you guessing, on your toes, and pushes you to ponder much of human nature. Here’s Amanda Montoni’s review!

The past may be a distant country, but here it speaks directly to the fractured, ongoing present. As Blood, Sweat, and Queers unfolds, the life of Zdeněk Koubek resists the neat labels history—and theater—so often crave. Check out Tony Marinelli’s review!

A lifetime ago, it was not uncommon for families to send away a child who was neurodivergent or had a mental illness - not for recovery, but forever. Cracked Open is a great look at how far we’ve come, but how far we still have to go. Read our review by Nicole Jesson.

Bent through Glass is a play that should come with a trigger warning. Within the intimate setting of Under St Marks, Alex Koltchak shares an emotionally raw account of a family devastated by loss and the many faces of grief that follow. Read our review written by Brian Connor.

Flora Le splices time sequences, traveling between lands in Sade 1965: A Love Story. Piecing recollections of a conversation with her friend in Montreal, she thinks back to her teen years seeking unavailable men, using drugs, experiencing an HIV scare, and then finally, choosing to set her sights on college. By age 31, wanderlust combines with the necessity to visit her father's homeland in Vietnam.

Eric Bogosian and Ella Jane New's play, Humpty Dumpty, predates Hurricanes Katrina and Sandy. Perhaps the only thing Humpty Dumpty didn’t foresee is the price of eggs. Check out our review by Nicole Jesson.

What seems to be a melancholic ending of two people who will never share a happy ending is anything but that—Stuck is a declaration that the act of self-love is the ultimate vindication. JJ Ivey's play steams up the NYC Fringe Festival. Check out our review written by Bianca Lopez.

Writer and director Zoe Senese-Grossberg’s retelling of Mary Shelley’s Gothic classic Frankenstein or A Modern Prometheus is a spectacle of a classic told in the most combustible, soul-clenching, and fuel-igniting way. Check out our review by Bianca Lopez.

Think of [Untitled Miniature] as modern art. We will all see something different. Here’s our review written by Nicole Jesson.

Welcome to writer/director William Electric Black’s CAN YOU HEAR THE PIGEONS. Mr. Black takes us on an audacious reimagining of classic literature The Lord of the Flies in his stellar new play. Check out our review by Bianca Lopez.

To be a voice for the voiceless is a responsibility few are boldly willing to take. Writer and performer Brad Lawrence does just that. In his witty, hyper-focused and candid way, Lawrence keeps you laughing, smiling, engaged and always contemplative in his show, The Big Secret, on the Under St. Marks stage.

Part performance art, part concert, part play, B*tchcraft takes the audience on a visceral journey. Bitch shares her story of growing up as a quiet girl in an abusive household, breaking free to become an artist who unapologetically claims her queer, feminist, and creative identity. B*tchcraft is nothing short of empowering.

(beyond) Doomsday Scrolling is not your typical theatrical experience. It’s best to leave all expectations at the door. You may think you know what this presentation is all about, but you’ll quickly be proven incorrect. Check out our review, written by Amanda Montoni.

Paula Cizmar explores many topics in this 90-minute play, January. While the primary focus is another senseless gun death. There is also the violence that is poverty, the violence that is the polarizing politicization of gun deaths, and the violence that is the media. For our reviewer, Nicole, it was all too much.

Alex Kopnick directs a masterful chess match between Human and Robot in Oliva Haller's Loneliness is a Pandemic. As the play explores what makes a human human, it explains just why a Robot can never be an artist. They are incapable of suffering. Better still, they cannot comprehend voluntarily suffering. Check out our review written by Nicole Jesson.

This review is written from the perspective of a near-blank-slate audience member. Under the direction of Jorden Charley-Whatley and presented by City Gate Productions, I gained thoughtful and unforeseen insight as to what the madness of Frankenstein is all about: the human condition. Check out the review written by Amanda Montoni.

This play is her phoenix from the ashes. Smart, funny, honest and sincere, Star Stone tells us how she lost her name, and most of her self-worth. Check out our review written by Nicole Jesson.

Sophie McIntosh has touched upon something bigger. Our reviewer, Amanda Montoni says this about cunnicularii: “I have not had children, but as a person who has lost herself in a role she played for the sake of someone else, I very much appreciate Sophie and Nina Goodheart's work on cunnicularii. It’s so easy to lose sight of ourselves and our health when we have any form of a relationship. Sophie makes it a point to say through a Mother and Child, that we do not own each other. We do not belong to each other. We simply belong. Together.” Read the full review here!

This 80-minute play isn’t without its twists and turns. “You waited until minute 67 to tell me!?!” I watched the practice of happiness - practice - something we’re all working towards. And I witnessed such a moment of pure joy: when someone finds their truth. Check out our review of Asexuality! A Solo Musical, written by Nicole Jesson.