Theatre Beyond Broadway is dedicated to amplifying the voice of the Independent Theatre Artist.
This includes reviewing shows and projects.
Check out our published reviews below!
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the reviews
The Life and Death of King John
In Smoking Mirror Theatre’s clear-eyed, sharp-toothed, and slyly entertaining production of The Life and Death of King John, director John Gordon resuscitates this oft-dismissed political drama with such invigorating intelligence that one might be forgiven for wondering what generations of literary critics have been reading all these years.
THE WHOLE OF TIME
Romina Paula's The Whole of Time offers no easy answers. What it offers instead is something far more electric: a theatrical space where love is indistinguishable from violence, where time is both elastic and crushing, and where what is meant to be the solace of the family is still the most dangerous place of all.
Three Short Plays by edward allAn baker
If you are unfamiliar with this master’s work, then you are in for a treat. Edward Allan Baker provides the meat an actor loves to sink their teeth into with Three Short Plays. Check out our review!
Destination Undefined
Destination Undefined, the ambitious and engrossing new world-premiere science fiction play from Cellunova enters the AI conversation with style, intellectual rigor, and a surprisingly tender heart. Read our review written by Tony Marinelli.
Kind Stranger…
Kind Stranger was both a tribute and an invitation: a chance to see Tennessee Williams not as an untouchable legend but as a man who lived, loved, and wrote with uncompromising truth. Check out our review written by Malini!
The Day I Accidentally Went to War
In this blisteringly funny and profoundly affecting solo performance, comedian and storyteller Bill Posley invites us not merely to witness his life’s extraordinary detour into war, but to walk beside him, combat boots on the ground, through terrain where absurdity and anguish march hand in hand. The Day I Accidentally Went to War is a truth bomb.
Road Kills
. In this exquisitely calibrated meditation on grief, survival, and the curious alchemy of connection, McIntosh delivers that rarest of theatrical miracles: a truly original story, born not merely of clever conceit but of deep, deliberate thought. Check out our review by Tony Marinelli.
UNSEX’d
From the raucous and rebellious minds of Daniel Judes and Jay Whitehead comes UNSEX’d—a gleefully irreverent, gorgeously crafted, and intellectually nimble play that struts into the limelight not merely as a clever footnote to Shakespearean lore, but as a bold and blazingly contemporary reclamation of the Bard’s legacy.
Hamlet: La Telenovela
José María Ruano de la Haza, in his translation/literary adaptation, gives us Hamlet: La Telenovela towering above all other reinterpretations for its audacity and sheer theatrical delight. Here’s our review, written by Tony Marinelli.
Can I Be Frank?
To find oneself, not merely witnessing, but experiencing the rememberance of Frank Maya in Can I Be Frank? is to enter a realm where memory, performance, and raw neurosis collide in a dazzling, kaleidoscopic fugue. Here’s our review written by Tony Marinelli.
the animal speakS
Walt Disney transcends trends, pop culture, and time. His impact does not just influence our daily lives, it underscores them. The Animal Speaks, the third installment of the Venomous Color trilogy continues the exploration of Disney: the visionary, the dreamer, the ever-expanding idea. Check out our review!
Kafka for Beginners
Julian Henry Lowenfeld’s Kafka for Beginners is no mere play, but a fevered cry from the belly of an empire rotten with its own myth-making. Here, power has calcified into ritual, and truth is a currency long outlawed.
Saloon Girls
The true interest of Saloon Girls by the writing team of August Kiss Fegley, Alison Newton and Katie Kunkel, lies not in story, but in tone, texture, and tableau. Read our review by Toni Marinelli here!
Who We Become: One Act Plays By Lanford Wilson
Who We Become, in presenting a triptych of Lanford Wilson’s lesser-known one-acts, offers a rare and invigorating immersion into the quieter corners of his oeuvre—an invitation not merely to revisit a master’s voice, but to re-encounter it with fresh ears attuned to its emotional intricacy, formal daring, and ever-relevant human truths.
Transgression
Transgression, written by Terry Curtis Fox, is spectacular. Smart, funny, shocking, disturbing – intermission chatter was speculating about relationships and how much each character truly knew. Check out our review!
Sacco & Vanzetti Are Dead!
Joey DeFilippis and Matthew Ferrara not only wrote this sharp comedic allegory about the treatment of immigrants and the “othering” of minority Americans, but they also embody Sacco and Vanzetti with captivating energy. Check out our review of Sacco & Vanzetti Are Dead!
Meet the Review Team
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FOUNDER
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A proud SAG-AFTRA & AEA member, Nicole has worked for The Huntington Theatre, Delvena Theatre, Gloucester Stage Company and Wellesley Summer Theatre as well as producing and directing with Catbox Cabaret and le black Kat theatre. A graduate of the Actor Studio Drama School and Emerson College, she is the author of the children's book Iggy the Snake. Her new short play The Other Woman debuts in Boston Autumn 2025.
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Tony Marinelli is an actor, playwright, director, arts administrator, and now critic. He received his B.A. and almost finished an MFA from Brooklyn College in the golden era when Benito Ortolani, Howard Becknell, Rebecca Cunningham, Gordon Rogoff, Marge Linney, Bill Prosser, Sam Leiter, Elinor Renfield, and Glenn Loney numbered amongst his esteemed professors. His plays I find myself here, Be That Guy (A Cat and Two Men), and …and then I meowed have been produced by Ryan Repertory Company, one of Brooklyn’s few resident theatre companies.
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Amanda Montoni is a professional hat-wearer. One of those hats is, yes, you guessed it, Writer. She has had her short stories, poetry, and children's books published by multiple companies. Her plays have premiered both on stage and in podcast form. Her poetry collection, Thoughts While Singing, was the creative spark for her podcast, The Sweet Madness Podcast, where she interviews fellow theater lovers, poets, and writers as well as any other guests that bring sweetness to the world. Theatre has always been her lifeline, so when she jumped from Actor/Choreogrpaher/Director to Reviewer, she could not have been more thrilled to see her worlds come together.
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Niranjani Reddi (she/they) is a playwright, actor, and producer based in NYC . Previous credits include: Shiv's Project (Priyanka), Seeking Fair and Lovely : Rishtas and Rasas at The Tank (Playwright and Producer), Alley Between the Houses (Zera), While We Wait (Grace), Whippoorwill Calls (Director). She’s extremely passionate about all things related to Indian and Indian-American representation within the Western performing arts space. She works to center these stories in her own work, whether it’s in plays she’s written, or projects she’s acted in. She’s incredibly excited to continue building a community of artists based in and around NYC, who are interested in engaging with the same kind of work she is.
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Marcina Zaccaria has written and edited profiles for Howl Round, based at Emerson College, and has held temporary positions at Conde Nast and Rodale Publishing. Marcina is the Theatre and Opera Editor at The Theatre Times, and her clips can be found online. She has covered theatrical productions for The Brooklyn Rail and TheaterPizzazz.com. She currently enjoys handling editing and layout for Bio Books for professionals at a NY based non-profit organization, and previously worked at EdLab at Columbia University, editing articles for Teachers College Record and the New Learning Times.
As a Dramatist, Marcina Zaccaria has written Village, My Home, performed at the Dream Up Festival at Theater for the New City. Marcina's One Act play, All About Image, was performed at the Broadway Bound Festival on Theatre Row. She has read applications and coordinated rehearsal space for the LIT Space Grant Residency Program and participated at the Catwalk Artist Residency where she wrote The Incalculable Present. A member of the League Of Professional Theatre Women, she was the Co-Chair of Julia's Reading Room where she enjoyed a virtual reading of her play, Love, the TV, and Me.
Marcina Zaccaria received her undergraduate degree from Tisch School of the Arts, and holds an MFA from Columbia University.
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Award-winning multidisciplinary theatre professional with a distinguished reputation for crafting groundbreaking performances. Renowned for her work on stage, innovative movement direction, and international experience, she is dedicated to creating transformative art that captivates audiences and fosters cultural enrichment.