Something tells us we are no longer in our millennial sanctuary Kansas anymore! Experience Kayla Eisenberg’s Lilith in Pisces. Check out our enrolling review!

While you will ride a roller coaster of emotions with the characters, you will be glad you took the ride in La Gota Fria: The Cold Sweat. Check our our review written by Nicole Jesson.

Katrin Hilbe, Penelope Rose Deen, and the cast created a rich piece of art that transitioned smoothly from scene to scene. It CAN Happen Here felt quick and on the verge of change at any moment, a true reflection of the unpredictability of life. Check out our review written by Amanda Montoni.

Milo and Roman had a life list, and we're on the journey to help Milo complete it in A Eulogy for a Roman. Check our review written by Nicole Jesson.

The Skeleton Rep’s Georgia and the Butch is a documentary play centering on the relationship between the famed artist Georgia O’Keefe and Maria Chabot. Chronicled using real letters the two sent each other over a period of years, we got a glimpse into the tumultuous relationship a devoted Maria shared with an indifferent Georgia. Check out our review.

Noelle McGrath’s organic staging and strict attention to detail makes this old play feel relevant. Arthur Miller's The Price is about a family that lost almost everything to the market crash. Check out our review!

Artists responding when politicians don’t is nothing new. Here we find Truth Be Told. Normally, we hear all about the shooter in the aftermath of the violence. This mother, Michelle Park, disagrees.

The Six Paths by My Le, staged in Theater for a New City’s black box space, the dark walls and minimalist set, enhanced by subtle lighting, create an eerie underworld where demons reside. Meanwhile, humans enter the afterlife bewildered—aloof, egotistical, confused, and fearful—yet offered a chance for repentance and cleansing.

Pan Asian Repertory Theatre, now in its 48th year under the leadership of founder Tisa Chang, continues its trailblazing commitment to Asian American voices and stories. This season, the company has created space for playwright Philip W. Chung to bring Toraichi Kono’s remarkable yet forgotten story to the stage.

It’s work at this level that inspires others to create. And should definitely inspire folks to get to The Flea to see these while they can! Check out our review of Maiden Mother Crone, written by Nicoel Jesson.

ANYWHERE is an extraordinary journey in the footsteps of Oedipus after the revelation that he had murdered his father and married his mother. The performance is brief, coming in under an hour, but the beauty will remain with you long after Oedipus vanishes.

(beyond) Doomsday Scrolling is not your typical theatrical experience. It’s best to leave all expectations at the door. You may think you know what this presentation is all about, but you’ll quickly be proven incorrect. Check out our review, written by Amanda Montoni.

And after the old lovers rekindle their flame, if the audience thinks they’re in for a traditional romance, they are sorely mistaken. This is about the biggest divide in America today, politics. Lia Romero’s script of Still delivers America’s divide with grace and laughter and a ukulele.

The creatives involved in this production have brought their A-Game. You cannot walk out of Sheltered and look at the world the same way. Check out our review written by Nicole Jesson,

Paula Cizmar explores many topics in this 90-minute play, January. While the primary focus is another senseless gun death. There is also the violence that is poverty, the violence that is the polarizing politicization of gun deaths, and the violence that is the media. For our reviewer, Nicole, it was all too much.

Broken Thread, written by D-Davis is one of those beautiful productions (perfomed at The Theatre at the 14th St Y) that gives the illusion of simplicity. But the trained eye knows that shows like this only result from working, reworking and rehearsal – making it all look so easy, like a concert pianist who flies across the keys, light and nimble. Check out our review by Nicole.

“I caught my breath as I stepped into the drawing room - the playing space - littered with a million letters, a desk, two chairs, and a pair of red shoes. I settled onto a red velvet couch, cozy and curious. The space was intimate, the atmosphere immersive. What would the next 60 minutes hold for me? Rainer Maria Rilke, Franz Xaver Kappus, Ivo Muller, and the yearning for quiet in a chaotic world,” says our reviewer Malini.

SpaceBridge invites the audience into the lives of eleven Russian refugee children who have forged friendships with eight American children in New York City. Irina Kruzhilina and the young performers collaboratively create a story narrated by Samantha Smith, the United States’ “Littlest Ambassador,” who would have been 53 years old today. Check out our review by Malini.

Medea is a loving wife and mother whose husband decides to replace her. Hell hath no fury like a woman scorned starts with her. But have we suffered by only seeing the play from Medea’s perspective? Is Medea a victim or a monster? Blane’s retelling of Euripides’ Medea plays out at UNDER St. Mark's. Here’s our review written by Nicole Jesson.

This is the best play on a Shakespeare play set in a high school since 10 Things I Hate About You. While Mercutio Loves Romeo Love Juliet Loves has the heartache of unrequited love, it also reminds us we have long lives yet to live. Check out our review written by Nicole Jesson.