It’s work at this level that inspires others to create. And should definitely inspire folks to get to The Flea to see these while they can! Check out our review of Maiden Mother Crone, written by Nicoel Jesson.

Part performance art, part concert, part play, B*tchcraft takes the audience on a visceral journey. Bitch shares her story of growing up as a quiet girl in an abusive household, breaking free to become an artist who unapologetically claims her queer, feminist, and creative identity. B*tchcraft is nothing short of empowering.

ANYWHERE is an extraordinary journey in the footsteps of Oedipus after the revelation that he had murdered his father and married his mother. The performance is brief, coming in under an hour, but the beauty will remain with you long after Oedipus vanishes.

(beyond) Doomsday Scrolling is not your typical theatrical experience. It’s best to leave all expectations at the door. You may think you know what this presentation is all about, but you’ll quickly be proven incorrect. Check out our review, written by Amanda Montoni.

And after the old lovers rekindle their flame, if the audience thinks they’re in for a traditional romance, they are sorely mistaken. This is about the biggest divide in America today, politics. Lia Romero’s script of Still delivers America’s divide with grace and laughter and a ukulele.

The creatives involved in this production have brought their A-Game. You cannot walk out of Sheltered and look at the world the same way. Check out our review written by Nicole Jesson,

Each one-act in The Fire This Time Festival struck a chord, played an emotion, and provided a catharsis that left out reviewer Malini, profoundly moved.

From the moment the show started, the audience was fully engaged. Kids and adults alike participated in throwing out wild suggestions and cheering for their favorite moments. Presented by The Gallery Players and Freestyle Repertory Theatre, Theatresports is 60 minutes of high-energy, creative, and immersive family entertainment. Check out our review!

Through dance, song and monologue, new light is shed upon Lady Macbeth, Juliet Capulet, Kate Minola, Ophelia, Margaret of Anjou, Lavinia, Portia, and the Dark Lady of Shakespeare’s Sonnets. Check out Nicole’s review of The She-Wolves.

Paula Cizmar explores many topics in this 90-minute play, January. While the primary focus is another senseless gun death. There is also the violence that is poverty, the violence that is the polarizing politicization of gun deaths, and the violence that is the media. For our reviewer, Nicole, it was all too much.

Broken Thread, written by D-Davis is one of those beautiful productions (perfomed at The Theatre at the 14th St Y) that gives the illusion of simplicity. But the trained eye knows that shows like this only result from working, reworking and rehearsal – making it all look so easy, like a concert pianist who flies across the keys, light and nimble. Check out our review by Nicole.

“I caught my breath as I stepped into the drawing room - the playing space - littered with a million letters, a desk, two chairs, and a pair of red shoes. I settled onto a red velvet couch, cozy and curious. The space was intimate, the atmosphere immersive. What would the next 60 minutes hold for me? Rainer Maria Rilke, Franz Xaver Kappus, Ivo Muller, and the yearning for quiet in a chaotic world,” says our reviewer Malini.

SpaceBridge invites the audience into the lives of eleven Russian refugee children who have forged friendships with eight American children in New York City. Irina Kruzhilina and the young performers collaboratively create a story narrated by Samantha Smith, the United States’ “Littlest Ambassador,” who would have been 53 years old today. Check out our review by Malini.

Medea is a loving wife and mother whose husband decides to replace her. Hell hath no fury like a woman scorned starts with her. But have we suffered by only seeing the play from Medea’s perspective? Is Medea a victim or a monster? Blane’s retelling of Euripides’ Medea plays out at UNDER St. Mark's. Here’s our review written by Nicole Jesson.

This is the best play on a Shakespeare play set in a high school since 10 Things I Hate About You. While Mercutio Loves Romeo Love Juliet Loves has the heartache of unrequited love, it also reminds us we have long lives yet to live. Check out our review written by Nicole Jesson.

The characters Kingston has written are immediately likable. They are fun, kind, and real. Teague’s direction leaps them off the page and into the laughter and hearts of the audience. One would think that a corporate place such as this would be too good to be true. Check out our review of Café Utopia, written by Amanda Monotni

Pedro Sá Moraes welcomes us into his world by simply sitting on a wooden block, guitar in hand, strumming whatever encompasses the moment. He has set the mood for the evening. We are his students, his children, his audience. Then the shift into the stark. Check out our review of Leona’s Song, written by Malini.

Alex Kopnick directs a masterful chess match between Human and Robot in Oliva Haller's Loneliness is a Pandemic. As the play explores what makes a human human, it explains just why a Robot can never be an artist. They are incapable of suffering. Better still, they cannot comprehend voluntarily suffering. Check out our review written by Nicole Jesson.

Where the show shines is when the family is all together. The balance and rhythm found in their scenes is a credit to the actors and writer/director Robyne Parrish alike in Tin Church. Check out our review written by Nicole Jesson.

This review is written from the perspective of a near-blank-slate audience member. Under the direction of Jorden Charley-Whatley and presented by City Gate Productions, I gained thoughtful and unforeseen insight as to what the madness of Frankenstein is all about: the human condition. Check out the review written by Amanda Montoni.