Theatre Beyond Broadway is dedicated to amplifying the voice of the Independent Theatre Artist.
This includes reviewing shows and projects.
Check out our published reviews below!
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the reviews
The Trojans
Leegrid Stevens, Brooklyn-based playwright and composer has rehomed The Iliad to a Texas Amazon Warehouse. Here’s our review of his musical, The Trojans.
CAN YOU HEAR THE PIGEONS
Welcome to writer/director William Electric Black’s CAN YOU HEAR THE PIGEONS. Mr. Black takes us on an audacious reimagining of classic literature The Lord of the Flies in his stellar new play. Check out our review by Bianca Lopez.
POTUS OR Behind Every Great Dumbass are Seven Women Trying to Keep Him Alive
POTUS is a feminist piece that successfully ran on Broadway in 2022. City Gate Productions’ presentation doesn’t dare shy away from that. Check out our review by Amanda Montoni.
The Fundamentalist
Nothing is black or white, right or wrong. It’s a layered, tinted mess of gray, and our lives are spent searching through its tinted pages for the truth. Check out our review of The Fundamentalist, written by Amanda Montoni.
Lake George
Writer/director Daniel Blick is a voice to be celebrated in his exquisite underlying tones of hurt, betrayal, and cursed missed opportunities in his play, Lake George.
Lilith in Pisces
Something tells us we are no longer in our millennial sanctuary Kansas anymore! Experience Kayla Eisenberg’s Lilith in Pisces. Check out our enrolling review!
La Gota Fria: The Cold Sweat
While you will ride a roller coaster of emotions with the characters, you will be glad you took the ride in La Gota Fria: The Cold Sweat. Check our our review written by Nicole Jesson.
It CAN Happen HerE
Katrin Hilbe, Penelope Rose Deen, and the cast created a rich piece of art that transitioned smoothly from scene to scene. It CAN Happen Here felt quick and on the verge of change at any moment, a true reflection of the unpredictability of life. Check out our review written by Amanda Montoni.
A EULOGY FOR ROMAN
Milo and Roman had a life list, and we're on the journey to help Milo complete it in A Eulogy for a Roman. Check our review written by Nicole Jesson.
Georgia and the Butch: Adapted from Maria Chabot & Georgia O'Keeffe Correspondence, 1941-1949
The Skeleton Rep’s Georgia and the Butch is a documentary play centering on the relationship between the famed artist Georgia O’Keefe and Maria Chabot. Chronicled using real letters the two sent each other over a period of years, we got a glimpse into the tumultuous relationship a devoted Maria shared with an indifferent Georgia. Check out our review.
The Big Secret
To be a voice for the voiceless is a responsibility few are boldly willing to take. Writer and performer Brad Lawrence does just that. In his witty, hyper-focused and candid way, Lawrence keeps you laughing, smiling, engaged and always contemplative in his show, The Big Secret, on the Under St. Marks stage.
Truth Be Told
Artists responding when politicians don’t is nothing new. Here we find Truth Be Told. Normally, we hear all about the shooter in the aftermath of the violence. This mother, Michelle Park, disagrees.
The Six paths
The Six Paths by My Le, staged in Theater for a New City’s black box space, the dark walls and minimalist set, enhanced by subtle lighting, create an eerie underworld where demons reside. Meanwhile, humans enter the afterlife bewildered—aloof, egotistical, confused, and fearful—yet offered a chance for repentance and cleansing.
My Man Kono
Pan Asian Repertory Theatre, now in its 48th year under the leadership of founder Tisa Chang, continues its trailblazing commitment to Asian American voices and stories. This season, the company has created space for playwright Philip W. Chung to bring Toraichi Kono’s remarkable yet forgotten story to the stage.
MAIDEN MOTHER CRONE
It’s work at this level that inspires others to create. And should definitely inspire folks to get to The Flea to see these while they can! Check out our review of Maiden Mother Crone, written by Nicoel Jesson.
B*tchcraft
Part performance art, part concert, part play, B*tchcraft takes the audience on a visceral journey. Bitch shares her story of growing up as a quiet girl in an abusive household, breaking free to become an artist who unapologetically claims her queer, feminist, and creative identity. B*tchcraft is nothing short of empowering.
(beyond) doomsday scrolling
(beyond) Doomsday Scrolling is not your typical theatrical experience. It’s best to leave all expectations at the door. You may think you know what this presentation is all about, but you’ll quickly be proven incorrect. Check out our review, written by Amanda Montoni.
Still
And after the old lovers rekindle their flame, if the audience thinks they’re in for a traditional romance, they are sorely mistaken. This is about the biggest divide in America today, politics. Lia Romero’s script of Still delivers America’s divide with grace and laughter and a ukulele.
Meet the Review Team
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FOUNDER
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A proud SAG-AFTRA & AEA member, Nicole has worked for The Huntington Theatre, Delvena Theatre, Gloucester Stage Company and Wellesley Summer Theatre as well as producing and directing with Catbox Cabaret and le black Kat theatre. A graduate of the Actor Studio Drama School and Emerson College, she is the author of the children's book Iggy the Snake. Her new short play The Other Woman debuts in Boston Autumn 2025.
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Tony Marinelli is an actor, playwright, director, arts administrator, and now critic. He received his B.A. and almost finished an MFA from Brooklyn College in the golden era when Benito Ortolani, Howard Becknell, Rebecca Cunningham, Gordon Rogoff, Marge Linney, Bill Prosser, Sam Leiter, Elinor Renfield, and Glenn Loney numbered amongst his esteemed professors. His plays I find myself here, Be That Guy (A Cat and Two Men), and …and then I meowed have been produced by Ryan Repertory Company, one of Brooklyn’s few resident theatre companies.
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Amanda Montoni is a professional hat-wearer. One of those hats is, yes, you guessed it, Writer. She has had her short stories, poetry, and children's books published by multiple companies. Her plays have premiered both on stage and in podcast form. Her poetry collection, Thoughts While Singing, was the creative spark for her podcast, The Sweet Madness Podcast, where she interviews fellow theater lovers, poets, and writers as well as any other guests that bring sweetness to the world. Theatre has always been her lifeline, so when she jumped from Actor/Choreogrpaher/Director to Reviewer, she could not have been more thrilled to see her worlds come together.
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Niranjani Reddi (she/they) is a playwright, actor, and producer based in NYC . Previous credits include: Shiv's Project (Priyanka), Seeking Fair and Lovely : Rishtas and Rasas at The Tank (Playwright and Producer), Alley Between the Houses (Zera), While We Wait (Grace), Whippoorwill Calls (Director). She’s extremely passionate about all things related to Indian and Indian-American representation within the Western performing arts space. She works to center these stories in her own work, whether it’s in plays she’s written, or projects she’s acted in. She’s incredibly excited to continue building a community of artists based in and around NYC, who are interested in engaging with the same kind of work she is.
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Marcina Zaccaria has written and edited profiles for Howl Round, based at Emerson College, and has held temporary positions at Conde Nast and Rodale Publishing. Marcina is the Theatre and Opera Editor at The Theatre Times, and her clips can be found online. She has covered theatrical productions for The Brooklyn Rail and TheaterPizzazz.com. She currently enjoys handling editing and layout for Bio Books for professionals at a NY based non-profit organization, and previously worked at EdLab at Columbia University, editing articles for Teachers College Record and the New Learning Times.
As a Dramatist, Marcina Zaccaria has written Village, My Home, performed at the Dream Up Festival at Theater for the New City. Marcina's One Act play, All About Image, was performed at the Broadway Bound Festival on Theatre Row. She has read applications and coordinated rehearsal space for the LIT Space Grant Residency Program and participated at the Catwalk Artist Residency where she wrote The Incalculable Present. A member of the League Of Professional Theatre Women, she was the Co-Chair of Julia's Reading Room where she enjoyed a virtual reading of her play, Love, the TV, and Me.
Marcina Zaccaria received her undergraduate degree from Tisch School of the Arts, and holds an MFA from Columbia University.
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Award-winning multidisciplinary theatre professional with a distinguished reputation for crafting groundbreaking performances. Renowned for her work on stage, innovative movement direction, and international experience, she is dedicated to creating transformative art that captivates audiences and fosters cultural enrichment.